Zinch Scholarship for Creativity

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Written by: Jill Heagerty

Zinch is offering the opportunity for talented artists, enrolled or intending to enroll in college, to showcase their work. The winner is the candidate who displays the most creativity, and he or she will receive $5,000 for school. Tuition costs are astronomical, so any money a student earns can go a long way. This particular scholarship is refreshing to see in comparison to most scholarship applications that include a GPA, SAT scores, and writing a formal essay about a completely cliché topic such as, “What is the most important lesson you have learned in life and how has it made you the person you are today?” There is nothing wrong with those typical scholarships, like I said any money can go a long way, but they are tiresome and do not accurately access a candidate’s worth and potential. Winners could be students who are very practiced at knowing what to write for those types of essays, without their own sense of self or originality. This isn’t always the case, but it is highly likely in most situations.

Art is typically placed on the backburner in the education system, with traditional subjects emphasizing math, science, and formal writing in the forefront. That is why the requirement for most scholarships are a decent GPA, a minimum SAT score, and the banal essay I mentioned before. The question is: why isn’t there more value placed on artistic abilities? If a person can think creatively and make something out of nothing, that shows the person is smart and can succeed in college, a career, and life in general, using a part of the brain some can’t even fathom to use. That creative individual is a worthy candidate of a scholarship, more worthy than a person who can just write a decent essay about a life experience.

So if you’re attending a university for the next academic school year, I encourage you to access the link above and look into applying for the scholarship. Your creative vision should be honored and awarded. The type of artistic work that will be judged includes digital art, animation, film and video, music, photography, multimedia, illustration, interior design, graphic design, and more. Even if you’re a good writer who usually flourishes with the typical essay in most applications, there is a place for you as well to show off your artistic scope that would otherwise be ignored.

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A Summary about TheFashionSpot.com

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Written By:Liana Fahie

For some fashion means throwing on whatever they can find on their bedroom floor, for others, it is a means of self-expression, and for a select few it’s their life. Most of us are in some way a part of the fashion world whether we like it or not. After all, for the most part, public nudity is illegal. However what seems to differentiate fashion lovers is that fashion is never about conformity, its viewed as an art form up for open interpretation rather than a simple “oh that top looks good with those pants.” It’s a language of its own as well. From clothing cuts to designers to even models, it’s quite a task for a fashion outsider to keep up with.

The forum that I chose to observe is called Fashion Spot. It is a fashion website that was established in 2006. It contains articles about fashion, beauty, celebrities, and the latest trends. They post interviews with various influential people in the fashion and entertainment world and behind the scenes shoots with models at various fashion shows.

One unique element about The Fashion Spot is their coverage of fashion weeks. The site either hosts web-streams themselves or finds streams of a large percentage of the runway shows. The best attribute of this feature is that it is not limited to members. This helps to drive traffic towards the site during a time when others are interested heavily in the new looks for the upcoming season. In addition, those attracted to the site by the streams can get drawn in to the features that the other content on the site has to offer and thus The Fashion Spot can increase the amount of consistent users to their site.

What type of people are there?

For starters the membership process is very different from most other sites. You have two ways of getting in. You either get a member to invite you in or you can fill out an application to get on the waiting list for membership. Even through this selective process, membership is not guaranteed. Not all members are eligible to invite members into this community. The oldest members are the ones granted this honor. Their members are mostly people in the industry such as photographers, stylists, designers, shop owners, pattern makers, and what they call “influencer members.” Influencer members are those members who aren’t in the industry but appreciate fashion. The Fashion Spot seems to be very strict on adhering to structuring itself mainly on fashion and beauty. Other discussions are not welcome. While there is talk about celebrities it is always fashion based talk rather than celebrity gossip. If they desire more members in a specific geographical location to have membership then invitations for people in that area become more open. Community and connections are strongly encouraged. After 45 days of socializing with other members, some of the newer members then are awarded invitation rights.  Members who invite people who were previous banned members or spammers are at risk for getting their membership revoked. Membership requirements on their website are as follows:

Attributes we are looking for in new members:

  • LOVE fashion & LIVE fashion.
  • Trendsetters and influencers amongst their peers.
  • Always seeking more info on fashion trends, products & news.

If you are denied membership, you are not notified.

What are the values the people have?

Members of this forum are extremely dedicated to fashion. While this forum does encourage learning and having an open mind one cannot join this forum without a substantial amount of knowledge of fashion. While they are more than eager to help you learn certain things there are some general things that you should know, such as certain designers. Also I’ve noticed that people are very respectful towards each other. It creates a very comfortable environment for spreading ideas

What ideas are accepted without evidence?

Most ideas are generally accepted without evidence. It is an open-minded community. It’s one of the requirements to join there. Everyone does not necessarily have the same tastes when it comes to fashion; members have to be respectful of that. It’s an environment that promotes new ideas, although they may be bizarre at times. Originality is greatly encouraged. Yet it’s an odd concept considering that everyone has something to offer in the form of a new idea yet some are rejected based on decision of the website.

What type of rhetorical appeals do they find credible (ethos, pathos, logos)?

Due to the excruciating membership process, it is naturally assumed that all the members would know a substantial amount of information. Therefore members rely on each other for advice without knowing them because they feel that the membership process is excruciating enough to weed out “amateurs.” It’s hard to pin logos and pathos to a fashion blog. Fashion is mainly opinionated.

What types of behavior are policed (trolling, reposts, religious discussion)?

In this community members are very encouraged to interact with others in their community. One would assume that lurking is frowned upon. A non-member can lurk but more activity is required of members. Reposts are also closely regulated. Anything that is not fashion or beauty related is immediately deleted. Membership could be revoked and reconsidered if a member is caught spamming or being rude to other members.

Yu-Chu Yeh cites Chang with identifying ten basic elements that a structured social network should posess. Those elements are “participants, shared visions, devices, services, rules, relations, manners, learning domains, learning goals, and learning activities(Yu-Chu,140).” Yeh also cites the most utilized roles are that of information providers, opinion providers, and troublemakers(Yu-Chu,149). However in fashion spot troublemakers are quickly eliminated so they don’t play a role worth mentioning.  Interaction is especially important because it shows the level of membership commitment. The exclusivity of this community creates such an illusion that attracts many. Membership commitment also can be explained by the social exchange theory (Byoungho,591). Gaining membership is often times a drawn out process at this forum. In a world where it’s so simple to join any site without a process this is seen as a rarity. This therefore makes it seem more attractive to applicants and adds feelings of prestige once they gain entrance in. While it does not monetarily cost prospects to gain entrance, there is much to be gained from acceptance, such as helpful tips, a chance to interact with other members with way more experience and exposure to the industry. This possibly can be seen as a place where many connections that lead into great opportunities could be found that would be difficult to find elsewhere.

To conclude, this quote from the Devil Wears Prada summarizes the fashion world’s effect on everyone, even those who don’t believe it effects them.  Andrea, Miranda Priestly’s fashion challenged assistant states that she feels that the belts all look the same and doesn’t understand the fuss over them. Miranda then responds by saying:

“This… stuff’? Oh. Okay. I see.Okay. I see. You think this has nothing to do with you. You go to your closet and you select… I don’t know… that lumpy blue sweater, for instance because you’re trying to tell the world that you take yourself too seriously to care about what you put on your back. But what you don’t know is that that sweater is not just blue, it’s not turquoise. It’s not lapis. It’s actually cerulean. And you’re also blithely unaware of the fact that in 2002, Oscar de la Renta did a collection of cerulean gowns. And then I think it was Yves Saint Laurent… wasn’t it who showed cerulean military jackets? I think we need a jacket here. And then cerulean quickly showed up in the collections of eight different designers. And then it, uh, filtered down through the department stores and then trickled on down into some tragic Casual Corner where you, no doubt, fished it out of some clearance bin. However, that blue represents millions of dollars and countless jobs and it’s sort of comical how you think that you’ve made a choice that exempts you from the fashion industry when, in fact, you’re wearing the sweater that was selected for you by the people in this room from a pile of stuff.”- The Devil Wears Prada

Byoungho, Jin, Park Jin Yong, and Kim Hye-Shin. “What makes online community members commit? A social exchange perspective.” Behaviour & Information Technology 29.6 (2010): 587-599. Academic Search Premier. EBSCO. Web. 27 Feb. 2011.

Yu-Chu, Yeh. “Analyzing Online Behaviors, Roles, and Learning Communities via Online Discussions.” Journal of Educational Technology & Society 13.1 (2010): 140-151. Academic Search Premier. EBSCO. Web. 27 Feb. 2011.

Art turned into an idea.

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By: Stacy Liberatore

How many times have you walked by an empty building and said “I wish this was a…”? Well now you can visibly voice your opinion with the “I wish this was…” project.

The idea was started by Candy Chang, a public installation artist, in New Orleans during December 2010. She created vinyl stickers with the heading, “I wish this was”, with a blank space underneath. After the devastation Katrina left buy, many business owners couldn’t re-open, which left many abandoned buildings.

The idea behind the project is so the community can voice their opinions on what they would like to see vacant buildings in their town be used for.

 “When I moved to the Marigny in New Orleans last summer I was surprised by the number of vacant storefronts amidst a neighborhood chock full of people who want and need lots of things, including a grocery with fresh produce,” said Chang, “I think many of us walk by vacant storefronts in our neighborhoods and have opinions of what we’d like to see in them.”

 With support from the Ethnographic Terminali exhibit, she placed boxes of free stickers in businesses around the city and posted grids of blank stickers and a permanent marker on vacant storefronts to invite passersby to write their thoughts. “Fill out and put on buildings,” said Chang as she distributed them to the public. The stickers are vinyl and they can be easily removed without damaging property.

Stickers have been seen saying “I wish this was… A grocery store, a comfy couch, a city during a revolution.  Chang was greatly surprised, what she thought might be a fun and goofy way of expression has taken cities by storm.

The stickers can still be seen all over New Orleans and are making their way across the nation. She calls her sticker project “an experiment in public space,” meant to pose the question “what if residents had more of a say?” In addition, she hopes the exercise remains “loose, funny, interesting and entertaining.”

To some it may seem nothing more than a sticker, but to others it is a revolution of ideas.  A way to make a city the way you have always dreamed it could be. And starting in New Orleans where everything was destroyed, this artist may have opened a door and let some light shine for the city.

  “What if we could easily say what we want, where we want it? That was the inspiration for I Wish This Was. It’s a kind of love child of urban planning and street art,” said Chang “A crude tool and experiment to see what might happen if we could easily say what we wanted in vacant storefronts and beyond.”

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Carsten Holler Exhibit at New York’s New Museum Turns Art into Interactive Fun

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Written By: Catherine Wolinski

Last October, the New Museum in New York City presented Carsten Holler: Experience, the first New York survey of works by Carsten Holler, a German scientist-turned-artist who resides in Stockholm, Sweden. The exhibition, which will be open until Jan. 15, transforms multiple galleries into a world of research experimentation crossed with childhood fun. A firm believer in utilizing the architecture of the building where his art, its space, and its viewers will interact, the collection even includes a 102-foot slide that patrons can ride from the fourth to the second floors of the building.

Born in Brussels in 1961, Holler left his career as a scientist in 1993 to instead apply his knowledge and lab experience to

Carsten Holler: Experience slide installation at the New Museum

artistic concepts. Exploring themes such as safety, love, and doubt, Holler presents scenarios that force museum and museum goer into a conversation, connecting visitors to the environments he creates. By engaging the building as well as its inhabitants, Holler sends each person into multiple roles as they pass through each section of the exhibit, where they are faced with innovative structures, scenes, and tasks. Visitors are both the watchers and the watched as they make their way through the Experience Corridor, a stretch of space scattered with thought provoking activities that bring into question the conventional understandings of space, time and self.

By way of his participatory installations, Holler challenges human perception and logic by igniting, and perhaps overwhelming, the senses with interactive experiences.  Using the architecture of the building to map out these sensory events, Holler engages viewers with

The Mirror Carousel by Carsten Holler

the works of the past eighteen years of his career, chronicling numerous ventures that push the limits of human sensory perception. Such works include the untitled slide installation, which he describes as an “alternative transportation system,” Double Light Corner, a disorienting light installation that gives the impression the room is flipping back and forth, Mirror Carousel, a full-size swing merry-go-round that reflects and illuminates the space around it as it turns almost imperceptively, and finally, Psycho Tank, a “sensory deprivation pool” which literally puts the viewer into a pool—stripped naked—for a mind-altering out-of-body experience.

Carston Holler: Experience employs multiple disciplines to destabilize and reinvent viewers’ knowledge of the world around them, and how they fit into it. By using the scientific method in conjunction with his futurist design, Holler’s art forces viewers to see, feel, and understand art and space in a new way.

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Walt Disney Imagineers Demonstrate the New Features of the Cruise Ship Dream

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During a recent public demonstration at the headquarters of Walt Disney Imagineers, the company announced their plans to line the decks of the Dream,  their latest cruise ship -launching early next year – with over 20 pieces of moving artwork, and two interactive floors of youth-oriented play areas.

The “enchanted art” will be displayed on large LCD screens that sit inside a glass case, surrounded by a frame that hides the speakers and motion-detecting camera. In one example of these state-of-the-art works of technological artistry, there is a photograph of Walt Disney lounging on the beach of Rio de Janeiro. When a passenger stands in front of it, it will show “The Three Caballeros” dashing comedically over the landscape. The art will also feature motion-detection capabilities that echo the Nintendo Wii, which will enable children to participate in mini-games as part of a shipboard scavenger hunt. Cruisers will scour the premises in search of the Disney villain responsible for the missing pieces of art, or stolen Dalmatian puppies. Glowing pads placed around the perimeter of two interactive floor mats will also encourage the kids to play games that feature characters from “Bolt,” “Tron,” and “Princess and the Frog.”

Children give the interactive floor a test run

And as far as eating goes, no cruiser will ever forget the “Finding Nemo” restaurant, called the Animator’s Palate, which is expected to flaunt over 700 seats inside a studio-themed eatery that comes to life during dinner.

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Police Shut Down Art Exhibiting Photos of Mugabe-Related Violence

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President Robert Mugabe

When Owen Maseko decided to explore President Mugabe-related violence, he thought it best to gather the photos of missing people, the pictures of the mine shafts where they are allegedly hidden, and the reports that document the 1980 massacre of thousands of civilians in the western Matabeleland district. But, the police in Zimbabwe weren’t very amused with the exhibit, and they quickly shut it down by cuffing Maseko on incitement charges.

Attorney Kucaca Phulu reported that his client spent the weekend in jail as a result of all of the excitement.  Maseko reportedly sought bail the following Monday, but the courts postponed a ruling until Tuesday. The very next day, Harare Police reportedly pushed a human rights group to abandon another exhibit, which also employed photographs to illustrate the rampant Mugabean political violence. Prime Minister Morgan Tsvangirai, who now works with Mugabe, condemned the police’s repeated attempt to seize the entire 65-photograph display. Tsvangirai believed that such exhibits were a portion of the campaign for national healing.

Owen Maseko hard at work

Today, with the death of Joshua Nkomo – Mugabe’s vice president – the allegiance is with Tsvangirai’s Movement for Democratic Change party. As more proponents for free-thought art jump onto Mugabe’s payroll, it grows ever more doubtful that a third violence exhibit will even have a chance to be torn back down.

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Reese’s Puffs’ Fresh Films Program is Well Underway

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The teen team on the Sherman Oaks set of "Gloria."

Dominic Monaghan, as one of the two celebrities expected to participate in Fresh Films – the program aimed at providing teenagers with a summer-long filmmaking experience – arrived just seconds before the rookie crew of teenagers were even ready to shoot. Shouts of advice – like “work smart – not hard,” filled the background of the bustling set as the 17 winners of Reese’s Puffs‘ nationwide contest put their budding talents to the test of real-world movie making.

Two groups were formed, and issued the task of each creating a short film; In so doing, participants would gain an invaluable hands-on experience in almost every facet of the production process – from scripting to post-edits. Sarah Wendel, the sole Californian to be accepted into the program, said that she appreciated the ability to rotate into different jobs in order to learn the significance of things like continuity, lighting and sound mixing.

Monaghan admitted that his initial attraction to the program was the opportunity that it offered teens. He’s known for his roles in “Lost,” and “Flashfoward,” while Bobbie J. Thompson, the other celebrity to get involved with the project, may be recognized from his work with “30 Rock” and “Cloudy With a Chance of Meatballs. In the short films, Monaghan portrays a rock god in search of his lost guitar, and Thompson plays a teen who won a chance to be a DJ for the day at a favorite radio station, only to discover the format of radio has changed entirely.

The sponsor's cereal box

The films themselves will be available to view online at fresh-films.com from April 12 to 26, where viewers can vote for the winner. Each member of the winning team will receive a $1,000 scholarship and a portable Flip camera.

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David Wilkins Studies Relationship Between Facial Emotions and Autism

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Autism Ribbon for Awareness

Stanford researcher David Wilkins is interested in how facial emotions could be employed to help individuals with autism. He studies artists, actors and psychologists to find out how to train people to better recognize subtle emotional expressions. His careful dissections of portrait-drawing techniques, facial mimicry and emotional memory techniques, and the techniques of micro-expression and subtle expression recognition, have led the lecturer toward the fundamentals of human communication.

To Wilkins, who is a part of Stanford’s Symbolic Systems Program, distinguishes happiness, sadness, anger, surprise, fear, disgust and contempt as of the greatest significance to human communication. Autistic individuals are fifty percent less likely to distinguish the emotional indications of facial expression, which may adversely interrupt the individuals interpersonal interactions.

Wilkins and his team are designing experiments that they intend to benefit autism. By assessing the efficacy of several different kinds of art, acting and psychological techniques, the scientists hope to discover one that results in a significant improvement in facial emotion recognition. Since people with autism are generally fifty percent less likely to recognize someone’s emotional state through their facial expressions, their successful participation in society depends on increasing their facial-emotional cognitive abilities.

Autism is noticeable in early childhood

A grant from the Stanford Institute for Creativity in the Arts and the Symbolic Systems Program in the School of Humanities and Sciences have made this all possible; with their help, hopefully Wilkins will achieve his noble cause.

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The MoMa in New York adds ‘@’ to their Collection of Fine Art

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The Museum of Modern Art in New York

Museum of Modern Art in New York

Today, the prestigious Museum of Modern Art (MoMa) in New York announced the addition of the @ symbol to their collection, which they bought for the cheapest price imaginable: absolutely nothing. According to Paola Antonelli, Senior Curator in the museums Department of Architecture and Design, this newest item is the only thing in the museum that is quite literally priceless. And, while there is some doubt circulating the artistic validity of this particular addition, the Moma articulated the reasoning behind this unexpectedly controversial decision:

“The appropriation and reuse of a pre-existing, even ancient symbol–a symbol already available on the keyboard yet vastly underutilized, a ligature meant to resolve a functional issue (excessively long and convoluted programming language) brought on by a revolutionary technological innovation (the Internet)–is by all means an act of design of extraordinary elegance and economy.”

The newest addition to the MoMa collection

Needless to say, web-based discussion on the subject is rampant, with a majority of individuals focusing mostly on the symbol’s significance in e-mail, and it’s convenient prevalence in social-media style communication (i.e. Facebook and Twitter). As such companies battle to become the public’s primary online identity providers, the @ symbol could be much more than just a work of art, it could be the future seed of a mega-dispute.

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Art Dubai Expands as the City Fears a Monstrous Debt

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A piece of calligraphy art on display

In lieu of the gloom revolving around Dubai‘s upwelling debt concerns, the city’s annual art fair still managed to earn record sales, drawing more than 18,00 visitors – a 28 percent increase from 2009. The four-day contemporary art show featured the works of world-famous artists from 31 different companies, which was also an improvement in the variety of geographical representation in attendance at last year’s festivities.

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The success of some galleries, like Saudi Arabia’s Athr Gallery and Berlin’s Galerie Christian Hosp, which reportedly sold 90% of their inventories, stand in stark contrast with the suffering financial statuses of the local crowd. But it makes more sense to consider who attends the fair, said Joan Lee, head of Seoul-based SUN gallery, who admitted that most of the interested attendees are from royal families and collectors. That isn’t to say that they are all foreign interests; after all, Tessa De Caters of Isabelle Van Den Eynde, a Dubai-based gallery, said that the local community of collectors is expanding alongside an increasing international interest in Middle Eastern art. With all this attention, it wasn’t a surprise when Fabio Rossi of London’s Rossi & Rossi, asserted that the four-year fair is undoubtedly finding it’s place on the global art market.

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